![]() ![]() Let us take the example of Bauhaus’ Bela Lugosi’s Dead. What ought also to be obvious is the fact that if a record is rarer, it is likely to be more valuable than if it were a mainstream release that saw thousands of pressings. In fact, go to any record store and you will see, amongst the racks of records, various name labels detailing where these significant artists are to be found amongst all of the other so called rabble in the record store. Most examples of a mainstream high street record store will tend favor these kinds of more popular or culturally significant artists, giving them pride of place in the window features, as well as ensuring that they are placed prominently in the racks of records. First pressings of a record by an English punk rock band like the Sex Pistols or the Buzzcocks would be worth a fortune at this point, so it is certainly worth checking when your version of the record was released, as well as learning about vinyl record types. one that was pressed and released in the first batch of the record’s release. A certain amount of cultural weight and credibility is laid at the foot of genres like punk rock, especially for those who were there.Īnd most especially if the record is an original pressing – i.e. A record by an English punk rock band from the original wave of artists in this style in the mid to late 70s is going to cost more than, say, a new wave artist from five or ten years later. ![]() ![]() As already alluded to, enormous and influential artists’ records in the west like Elvis Presley are going to fetch a considerable amount more than a record by, say, Showaddywaddy, whose name most will be familiar with if ever they have rummaged through a bargain bin in any UK record or charity store.Ĭertain eras and styles of music also seem to do better than others when put up for sale. Needless to say, some artists are more important than others. In particular, this seems a relic of the cult of nostalgia, where a vinyl record’s value lies more in its ability to soak up cultural weight for the sake of aesthetics, where droves of youths will purchase record players of inadequate quality to play records that look better on a wall then they sound when being spun. In fact, it seems that the reissue is far more a trend of a newer generation of music listeners, those attempting to look back at themselves and the legacy of their popular culture with a sideways glance. That being said, reissued records are not old records (or at least they are not usually). Reissues also allow for older generations to listen to a piece of music or a release of music that remasters and updates the sound so that it can be heard more like it was intended to be heard, so that a record professionally reproduced can rereleased to the masses. AgeĪs a general rule of thumb, more valuable records are likely to be older, perhaps even having been manufactured by a record company that no longer exists, making this an altogether more highly sought-after commodity.Ĭhecking the age before you sell vinyl records is vital, for there are no end to the amount of stories where someone has, say, found a seemingly rare and desirable record of a late and great artist like, say, Elvis Presley, only to find that the record they thought was an original pressing was actually just a reissue.Ī reissue is of course valuable in its own ways, especially in the way that it can allow later generations of listeners to enjoy music from a bygone era as though they were hearing it for the first time when it was initially released. So, get rifling through your record collection to find some of the most valuable vinyl records you own. They are arranged hence in no particular, though it is likely that more valuable vinyl records will have more affirmative answers pertaining to each of these categories. In order to judge whether any kinds of vinyl record are worth anything, there are a number of key factors that we ought to consider, factors that are likely to considerably affect the price vinyl record albums might fetch when put up for sale.
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